English KS1 Y2 Poetry Study Mandatory

Poetry: Silly Poems and Tongue Twisters

Subject
English
Key Stage
KS1
Year group
Y2
Statutory reference
Reading - Comprehension (Y2): continuing to build up a repertoire of poems learnt by heart
Source document
English (KS1/KS2) - National Curriculum Programme of Study
Study type
Poetry Study
Status
Mandatory
Coverage: 10/13 expected capabilities surfaced
Curriculum anchorConcept modelDifferentiation dataThinking lensLesson structureSubject referencesCross-curricular linksPrior knowledge linksLearner scaffoldingAccess and inclusion
Vocabulary definitionsSuccess criteriaAssessment alignment
Study type: Poetry Study | Status: Mandatory

Concepts

This study delivers 1 primary concept and 3 secondary concepts.

Primary concept: Reciting poetry (EN-KS1-C021)

Type: Skill | Teaching weight: 2/6

Learning and performing poems by heart with expression

Teaching guidance: Teach a range of poems by heart across KS1, beginning with simple nursery rhymes and action rhymes in Year 1 and progressing to poems with more complex patterns and vocabulary in Year 2. Use performance techniques — clapping rhythms, adding actions, varying volume and pace. Recite poems together as a class before asking individuals to perform. Choose poems with strong rhythm and rhyme to support memorisation, and discuss how the poet's word choices create effects. Key vocabulary: poem, rhyme, rhythm, verse, line, perform, recite, by heart, learn, poet Common misconceptions: Children sometimes think poetry must rhyme, limiting their appreciation of free verse. They may memorise words without understanding meaning, reciting mechanically without expression. Some children confuse reciting a poem with reading it aloud from a page.

Differentiation

LevelWhat success looks likeExample taskCommon errors

EntryJoining in with a familiar nursery rhyme or action rhyme as a group.Join in as we say 'Humpty Dumpty' together. Do the actions as we go.Mumbling or mouthing words without clearly speaking them; Doing the actions but not saying the words
DevelopingReciting a short, familiar poem from memory with some expression.Say the poem 'Twinkle, Twinkle, Little Star' by heart. Try to use expression.Forgetting lines and needing prompts to continue; Reciting in a flat monotone without any expression
ExpectedReciting poems by heart with appropriate intonation, varying pace and volume for effect.Perform the poem 'The Owl and the Pussycat' (first verse) to the class. Use your voice to bring the poem to life.Reciting accurately but without varying tone or pace; Rushing through the poem to finish quickly
Greater DepthPerforming poems with deliberate use of voice and gesture, engaging the audience and showing understanding of meaning.Choose a poem you have learned and perform it to the class. Explain why you chose the expression and actions you used.Performing well but being unable to explain performance choices; Using gestures that distract from the words rather than enhancing meaning

Model response (Entry): Child joins in with words and actions, following the group.
Model response (Developing): Child recites the poem accurately from memory with some variation in voice.
Model response (Expected): Child recites from memory with clear diction, appropriate pace, and expression that matches the poem's mood.
Model response (Greater Depth): Child performs with deliberate expression and gestures, then explains: 'I spoke quietly for the sad part and loudly for the exciting part because I wanted the audience to feel the change in mood.'

Secondary concept: Vocabulary development (EN-KS1-C019)

Type: Skill | Teaching weight: 2/6

Learning and using new words in context

Differentiation

LevelWhat success looks likeCommon errors

EntryUsing picture cues and context to understand a new word encountered during shared reading.Saying 'I don't know' without looking at the picture for help; Giving a vague synonym like 'big' without indicating degree
DevelopingWorking out the meaning of unfamiliar words using context and beginning to use new words in speech.Defining the word but being unable to use it in a new sentence; Using the word incorrectly in the new sentence
ExpectedDiscussing the meaning and effect of vocabulary choices in texts, using strategies to work out unfamiliar words, and using new words in own writing.Saying one word is 'better' without explaining why; Not recognising that 'danced' is used figuratively
Greater DepthCollecting and categorising new vocabulary, understanding shades of meaning between synonyms, and choosing precise vocabulary in own writing.Not distinguishing between similar words (e.g., treating 'terrified' and 'frightened' as identical); Ranking words based on how they sound rather than their meaning

Secondary concept: Literary language patterns (EN-KS1-C022)

Type: Knowledge | Teaching weight: 2/6

Recognizing repetitive phrases, rhyme, and patterned language in stories and poems

Differentiation

LevelWhat success looks likeCommon errors

EntryJoining in with repeated phrases or refrains during shared reading of patterned texts.Not recognising when the repeated part is coming; Joining in too late, after the pattern has already been said
DevelopingRecognising and identifying repeated phrases, rhyme and patterned language in stories and poems.Noticing that words repeat but not being able to describe the pattern; Confusing rhyme with repetition
ExpectedRecognising how authors use literary language patterns for effect, including repetition, rhyme, alliteration and formulaic phrases.Identifying the pattern but not explaining its effect; Confusing alliteration with rhyme
Greater DepthUsing literary language patterns in own writing and explaining how they create effect, distinguishing literary language from everyday speech.Using formulaic openings without understanding why they work; Not being able to articulate the difference between literary and everyday language

Secondary concept: Reading aloud with expression (EN-KS1-C051)

Type: Skill | Teaching weight: 2/6

Performing own writing with appropriate intonation

Differentiation

LevelWhat success looks likeCommon errors

EntryReading own writing aloud to an adult, pointing to each word.Reading what they think they wrote rather than what is on the page; Speaking too quietly to be heard
DevelopingReading own writing aloud to a partner clearly and audibly.Reading too fast for the partner to follow; Mumbling or reading in a monotone
ExpectedReading own writing with appropriate intonation, pausing at punctuation and varying voice for effect.Reading in a flat voice without expression; Adding expression for dialogue but reading narrative sections in monotone
Greater DepthPerforming own writing to the class with deliberate expression, engaging the audience and responding to their reactions.Reading with good expression but not looking up at the audience; Over-performing so that the expression overwhelms the content


Thinking lens: Perspective and Interpretation (primary)

Key question: Whose perspective is this, what shapes it, and what might be missing? Why this lens fits: Reading aloud with expression and evaluating own writing involves adopting the perspective of an audience — pupils ask 'how will this sound/read to someone else?', which is a perspectival shift. Question stems for KS1:
  • How do you think this person felt?
  • Would everyone think the same thing? Why not?
  • What would it look like from over there?
  • Why might someone else tell this story differently?
  • Secondary lens: Evidence and Argument — Evaluating and proof-reading require pupils to read their own writing as a text to be assessed — they use the evidence of what they have written to judge whether it meets the criteria of sense, accuracy and effect.

    Session structure: Creative Response

    Creative Response

    A creative arts or writing sequence that develops technique through exposure to exemplary work, guided exploration of techniques, structured planning, independent creation, and peer critique. Balances creative freedom with technical skill development.

    exemplar_exposuretechnique_explorationplanningcreatingcritique Assessment: Final creative outcome (artwork, design, written piece) accompanied by a reflective evaluation discussing techniques used, influences, and areas for development. Teacher note: Use the CREATIVE RESPONSE template: show children examples of artwork or creative writing that inspire curiosity and excitement. Let them explore materials and techniques through play and experimentation. Support them in planning what they want to make, then give them time to create. Encourage them to talk about what they made and what they like about it. KS1 question stems:
  • What do you notice about this artwork or writing?
  • What materials or colours will you use?
  • Can you tell me about what you have made?
  • What is your favourite part? Why?

  • Text type and features

    Text type: Poetry Features to teach: alliteration, rhyme scheme, rhythm and syllable counting, word play and invented words, imagery Writing outcome: Write at least 2 poems: one alliterative tongue twister and one rhyming poem using a pattern from a model, then perform one to the class Grammar focus: alliteration (same initial sound), adjectives for description, exclamation marks for effect (from Y2 Appendix 2) Literary terms: alliteration, rhyme, rhythm, syllable, verse, poet, poem

    Suggested texts

  • Oi Frog! by Kes Gray — Rhyming text with word play — can be used as poetry springboard
  • Poems to Perform by Julia Donaldson — Curated for performance with actions and audience participation

  • Genre

  • Poetry: Literature using rhythm, imagery, and condensed language to convey meaning and emotion. Poetry is continuous across all key stages with no progression break, but expectations increase: from recitation and simple pattern-following (KS1) through multiple forms and figurative language (KS2) to analysis of poetic conventions and unseen poetry comparison (KS4).

  • Why this study matters

    Y2 poetry builds on Y1 recitation by introducing alliteration and more varied forms. Silly poems and tongue twisters engage reluctant writers because the emphasis is on word play and sound rather than narrative coherence. Alliteration develops phonological awareness and vocabulary simultaneously. The performance element fulfils the statutory spoken language requirement.


    Pitfalls to avoid

  • Alliterative poems become lists of words rather than meaningful sentences
  • Performance is flat group recitation rather than individual expressive delivery
  • Children struggle with rhyme because they have not heard enough rhyming poetry read aloud

  • Cross-curricular opportunities

    LinkSubjectConnectionStrength

    Hands, Feet, HeartMusicRhythm in poetry — clapping syllables, adding musical accompanimentStrong


    Reading and writing skills (KS1)

    These disciplinary skills should be woven through teaching, not taught in isolation:

  • Structural and organisational analysis — Analyse how authors structure and organise texts at macro and micro levels — including genre conventions, narrative or argumentative architecture, paragraph organisation and sentence-level choices — and evaluate the effect of those structural decisions on the reader.
  • Noticing interesting words and phrases — Identify and discuss words and phrases that capture attention or create an effect, beginning to explain what makes them interesting, surprising or effective in the context of the text.
  • Prediction and hypothesis about texts — Form and evaluate hypotheses about a text's development, themes and intentions, revising those hypotheses in light of subsequent reading and explaining how earlier predictions were confirmed, complicated or subverted.
  • Critical summarising of extended texts — Summarise and distil ideas and arguments from substantial and challenging texts, exercising critical judgement about which information is central to the author's purpose and which is peripheral.
  • Word meaning from context — Understand the meaning of unfamiliar words encountered in simple texts by using the surrounding context, including pictures and sentence sense, to make a reasonable guess at what the word means.
  • Vocabulary in context — Give or explain the meaning of words and phrases as they are used in the text, drawing on understanding of the surrounding passage, knowledge of similar words, and awareness of how context shapes word meaning.

  • Vocabulary word mat

    TermMeaning

    audience
    by heart
    clearly
    describe
    expression
    interesting word
    learn
    line
    listen
    loud enough
    meaning
    new word
    once upon a time
    pace
    pattern
    perform
    phrase
    poem
    poet
    read aloud
    recite
    refrain
    repeated
    rhyme
    rhythm
    story language
    synonym
    verse
    vocabulary
    voice
    what does it mean
    word
    alliteration
    tongue twister
    syllable

    Prior knowledge (retrieval plan)

    Pupils should already know the following from earlier units:

    Prior knowledge neededFor conceptDescription

    Vocabulary in ContextVocabulary developmentThe ability to use recently introduced vocabulary accurately and appropriately when contributing ...
    Reading fluencyReading aloud with expressionReading accurately and at a good pace with expression
    Vocabulary in ComprehensionVocabulary developmentThe active use and understanding of newly introduced vocabulary encountered in stories, non-ficti...


    Scaffolding and inclusion (Y2)

    GuidelineDetail

    Reading levelEmergent Reader
    Text-to-speechRequired
    Max sentence length10 words
    VocabularyCommon concrete nouns plus simple abstractions (e.g., feelings, seasons, simple cause/effect). High-frequency words accessible. Subject vocabulary must be spoken and displayed simultaneously.
    Scaffolding levelMaximum
    Hint tiers2 tiers
    Session length8–15 minutes
    Worked examplesRequired — Narrated with text displayed. Character models the thinking. Pause points for child to predict next step.
    Feedback toneWarm Encouraging
    Normalize struggleYes
    Example correct feedbackYou heard the /ee/ sound hiding in the middle — that is tricky to spot!
    Example error feedbackThat is the short /u/ sound. The one we are looking for is /ee/, like in tree. Can you hear the difference?


    Access and Inclusion

    Likely barriers

    This study has high demands on: Vocabulary Novelty (Vocabulary development IS the learning objective — encountering and learning new words in context. By definition, the vocabulary is novel. This is construct-sensitive: pre-teaching all the words would remove the learning objective.).

    Universal supports

    Apply by default for all learners:

  • Vocabulary Pre-Teaching — Explicitly teaching key vocabulary before the main lesson begins, so that unfamiliar terms do not block access to the concept. Pre-teaching uses the define-show-use-check pattern: define the word simply, show it in context with visual support, use it in a sentence, then check the child can use it themselves. Typically targets 2-4 key words per session.
  • Visual Supports — Providing visual representations alongside or instead of verbal/written information: icons, diagrams, picture cues, symbol-supported text, visual timetables, and graphic organisers. Visual supports make abstract information concrete and persistent (the child can refer back to them), reducing reliance on auditory processing and transient memory.
  • Targeted options

  • Simplified Language Wrapper — Rewriting task instructions, questions, and explanations using simpler sentence structures, shorter sentences, and more common vocabulary — while preserving the full complexity of the underlying concept. The mathematical, scientific, or literary idea is not simplified; only the language surrounding it is made more accessible. This requires careful judgement about which words are domain-essential (keep) versus incidental complexity (simplify). (targets: Vocabulary Novelty)
  • Word Bank — Providing a curated set of words the child may need during a writing or response task, displayed persistently on screen. This offloads spelling from working memory, allowing the child to focus on content, sentence structure, and ideas. The word bank contains domain-specific vocabulary, connectives, and high-frequency words the child is known to struggle with. (targets: Vocabulary Novelty)
  • Use with caution

  • Simplified Language Wrapper — construct risk: conditional. Unsafe when assessing: language_load
  • Word Bank — construct risk: conditional. Unsafe when assessing: vocabulary_novelty

  • Knowledge organiser

    Key terms:
  • alliteration
  • tongue twister
  • rhyme
  • syllable
  • perform
  • audience
  • expression
  • Core facts (expected standard):
  • Reciting poetry: Reciting poems by heart with appropriate intonation, varying pace and volume for effect.

  • Graph context

    Node type: EnglishUnit | Study ID: EU-EN-KS1-008 Concept IDs:
  • EN-KS1-C021: Reciting poetry (primary)
  • EN-KS1-C019: Vocabulary development
  • EN-KS1-C022: Literary language patterns
  • EN-KS1-C051: Reading aloud with expression
  • Cypher query:

    ``cypher

    MATCH (ts:EnglishUnit {unit_id: 'EU-EN-KS1-008'})

    -[:DELIVERS_VIA]->(c:Concept)

    -[:HAS_DIFFICULTY_LEVEL]->(dl)

    RETURN c.name, dl.label, dl.description

    ``


    Generated from the UK Curriculum Knowledge Graph — zero LLM generation.