Non-Fiction: Formal Persuasion and Discussion
Concepts
This study delivers 1 primary concept and 5 secondary concepts.
Primary concept: Non-narrative writing: explanation, report, persuasion and discussion (EN-Y6-C025)
Type: Skill | Teaching weight: 3/6By Year 6, pupils can plan and produce effective non-narrative texts in a range of forms — explanation, report, persuasion and discussion — with appropriate structure, vocabulary, register and text organisation for each form. Mastery means pupils understand the distinctive conventions of each non-narrative form (e.g., impersonal third-person for reports, direct address for persuasion, balanced argument for discussion) and deploy them purposefully, using evidence, examples and organisational devices to produce coherent, well-structured non-fiction.
Teaching guidance: Ensure pupils have studied high-quality examples of each form before writing in that form. Use analysis of model texts to identify the structural and language conventions: 'In this explanation text, every paragraph begins with... and the passive voice is used because...'. Teach text types as a repertoire with shared features (all non-fiction needs clear structure and appropriate vocabulary) and distinctive features (each form serves a specific purpose). Require pupils to plan the structure, audience and purpose before drafting, and to evaluate their writing against these criteria after. Key vocabulary: explanation, report, persuasion, discussion, argument, evidence, structure, register, impersonal, audience, purpose, organise Common misconceptions: Pupils frequently confuse explanation and report (both deal with factual content but for different purposes: explanation answers 'how/why', report answers 'what/when/where'). They may use narrative conventions in non-fiction (past tense, personal pronouns) where the form requires impersonal, present tense writing. Persuasion and discussion are also confused: persuasion advocates a single position; discussion considers multiple viewpoints.Differentiation
| Level | What success looks like | Example task | Common errors |
| Entry | Identifies different non-narrative text types (explanation, report, persuasion, discussion) and names their basic features when shown clear examples. | Match each text extract to its type: explanation, report, persuasion or discussion. Explain one feature that helped you decide for each. | Confuses explanation with report because both contain factual information; Identifies text type correctly but cannot name the feature that signals it |
| Developing | Plans and writes a non-narrative text in one form using a model, including the key structural features and appropriate language, though may not yet sustain register or structure throughout. | Using the model explanation text as a guide, write an explanation of how a volcano erupts. Include a title, an introduction, a step-by-step causal chain, and a concluding statement. | Writes an information report about volcanoes rather than an explanation of the process; Includes causal steps but not in a clear logical sequence |
| Expected | Plans and produces effective non-narrative texts in multiple forms, selecting structure, language and organisational devices appropriate to the form, purpose and audience, sustaining register and coherence throughout. | Your class has been studying the question: 'Should plastic bags be banned?' Write a balanced discussion text of about 300 words. Include an introduction that frames the debate, at least two arguments on each side with evidence, and a conclusion that weighs the arguments. | Presents arguments for one side more convincingly than the other, creating a biased discussion; Writes a conclusion that introduces new arguments rather than weighing those already presented |
| Greater Depth | Writes non-narrative texts that demonstrate authorial control — selecting the most effective form for a given purpose, adapting structure for impact, and deploying rhetorical and organisational techniques with precision and confidence. | You want to convince your head teacher to create a school garden. Choose the most effective form (letter, report, speech or article) and write it. In a separate paragraph, explain why you chose that form over the others and identify three specific techniques you used to make your writing persuasive. | Chooses a form without being able to explain why it is more effective than the alternatives; Identifies techniques after writing but the techniques are not clearly present in the actual text |
Model response (Entry): Extract 1 = explanation — it uses 'This happens because...' to show a cause-and-effect chain. Extract 2 = report — it uses subheadings and presents factual information in a neutral tone. Extract 3 = persuasion — it uses 'You should...' and emotional language to convince the reader. Extract 4 = discussion — it presents arguments 'for' and 'against' before reaching a conclusion.
Model response (Developing): Title: How Does a Volcano Erupt? Introduction: Volcanoes are openings in the Earth's surface where molten rock escapes. But what causes an eruption? Causal chain: Deep beneath the surface, extreme heat melts rock into magma. This magma is less dense than the surrounding rock, so it rises slowly through cracks. As it rises, the pressure above it decreases, allowing dissolved gases to expand. Eventually, the pressure becomes too great and the magma bursts through the surface as lava, ash and gas. Conclusion: Volcanic eruptions are caused by a chain of events driven by heat and pressure deep underground.
Model response (Expected): The debate over whether plastic bags should be banned has intensified in recent years as concerns about environmental damage have grown. This discussion examines arguments on both sides before reaching a conclusion. Those in favour of a ban argue that plastic bags cause severe harm to wildlife and ecosystems. According to the Marine Conservation Society, over 8 million tonnes of plastic enter the oceans each year, and bags are among the most commonly found items on beaches. A ban would immediately reduce this pollution. Furthermore, alternatives such as reusable bags are widely available and affordable. Opponents argue that a complete ban could disadvantage poorer families who rely on free carrier bags for multiple uses, including bin liners and packed lunches. They also point out that manufacturing cotton tote bags uses significantly more energy than producing plastic ones, meaning the environmental benefit is not straightforward. Some suggest that a charge, rather than a ban, strikes a better balance. In conclusion, while both sides raise valid points, the evidence of environmental damage is compelling. A phased ban, combined with affordable alternatives and clear public information, would reduce harm without placing an unfair burden on those who can least afford it.
Model response (Greater Depth): [Formal letter to the head teacher, approximately 250 words, including: a clear statement of purpose, three organised arguments with supporting evidence (health benefits, curriculum links, community engagement), acknowledgement and rebuttal of a potential objection (cost), and a polite but assertive closing request.] Explanation: I chose a formal letter because it is a direct, personal appeal to one decision-maker, which is more appropriate than a general article or public speech. A report would present information neutrally, but I needed to persuade, not just inform. Three techniques: (1) I used the tricolon 'healthier, happier and more engaged' for rhetorical impact. (2) I anticipated the objection about cost and countered it with evidence that local businesses have offered donations, which shows I have considered practicalities. (3) I closed with 'I would welcome the opportunity to discuss this further,' which is firm but respectful — it assumes the conversation will continue rather than asking 'please can we?'
Thinking lens: Patterns (primary)
Key question: What patterns can I notice here, and what do they allow me to predict? Why this lens fits: Formal vs informal vocabulary, synonyms and antonyms are semantic fields defined by patterns of register and connotation — pupils learn to recognise these patterns and deploy them to achieve precise, contextually appropriate effects. Question stems for KS2:Session structure: Writer's Workshop + Discussion and Debate
This study uses 2 vehicle templates:
Writer's Workshop (main structure)
A process-writing sequence that develops pupils as independent writers. Studies a mentor text to identify craft techniques, practises those techniques in isolation, plans an original piece, drafts with attention to audience and purpose, engages in peer review for feedback, revises and edits, and publishes the final piece.
mentor_text → technique_identification → planning → drafting → peer_review → editing → publication
Assessment: Final published piece demonstrating identified craft techniques, with writing portfolio showing development through the drafting and revision process.
Teacher note: Use the WRITER'S WORKSHOP template: share a mentor text and guide pupils to identify specific techniques the writer uses. Model how to plan writing that uses those techniques purposefully. Give pupils time to draft their own piece, then facilitate peer review focused on the targeted technique. Guide editing with attention to grammar, punctuation, and the effect of their choices on the reader.
KS2 question stems:
Discussion and Debate
A structured sequence for exploring contested issues or multiple perspectives. Begins with a stimulus that raises a question or dilemma, builds knowledge through research, develops arguments through structured discussion techniques, captures thinking in writing, and reflects on how views may have changed.
stimulus → research → structured_discussion → writing → reflection
Assessment: Balanced written argument or persuasive piece demonstrating understanding of multiple perspectives, supported by evidence, with a reasoned personal conclusion.
Teacher note: Use the DISCUSSION AND DEBATE template: present a clear stimulus such as a statement, image, or short text that prompts different viewpoints. Give pupils time to research or gather evidence for their position. Use a structured discussion format with clear rules for listening and responding. Guide them to write up their view with reasons and evidence.
KS2 question stems:
Text type and features
Text type: Non Fiction Features to teach: formal academic register throughout, passive voice for objectivity, subjunctive mood (if I were, were he to), cohesive devices across an extended piece, counter-argument with nuanced rebuttal Writing outcome: Write a formal persuasive or discursive essay (600-800 words) with controlled register, passive voice, subjunctive forms, and evidence-based argumentation Grammar focus: passive voice for formality, subjunctive forms, formal vocabulary and structures, semi-colons within lists, colons to introduce lists (from Y6 Appendix 2) Literary terms: register, passive voice, subjunctive, rhetorical device, formal toneSuggested texts
Genre
Why this study matters
Y6 formal writing is the direct bridge to KS3 academic writing. The NC requires subjunctive forms and passive voice to be taught at Y6, and both are best introduced in the context of formal essay writing where they serve a genuine purpose (objectivity, formality). This unit ensures pupils arrive at secondary school able to write in a controlled formal register — a skill many KS3 teachers identify as the biggest gap.
Pitfalls to avoid
Reading and writing skills (KS2)
These disciplinary skills should be woven through teaching, not taught in isolation:
Vocabulary word mat
| Term | Meaning |
| academic | Formal language used in education and scholarly writing, as opposed to everyday or informal language. |
| active voice | A sentence construction where the subject performs the action (e.g. 'The cat chased the mouse'). |
| agent | In grammar, the person or thing performing the action in a sentence. |
| anglo-saxon | The Old English language and its influences on modern English, especially in common everyday words. |
| argument | A set of reasons and evidence used to support a viewpoint or persuade the reader. |
| audience | |
| by-phrase | A phrase beginning with 'by' in a passive sentence that identifies who performed the action. |
| conditional | A sentence structure expressing what would happen if a condition were met, often using 'if' and modal verbs. |
| cue card | A small card with key points or prompts used to support spoken presentations. |
| debate | A structured discussion where different viewpoints are argued with evidence and reasoning. |
| discussion | A text type or activity that explores different viewpoints on an issue, weighing evidence before reaching a conclusion. |
| evidence | |
| explanation | A text type that explains how or why something works or happens, in a logical sequence. |
| eye contact | Looking at the person you are speaking to or listening to, showing engagement. |
| formal | |
| hypothetical | Based on a supposed or imagined situation rather than reality, often expressed using 'if' and modal verbs. |
| impersonal | Writing that avoids personal pronouns (I, you) and presents information objectively. |
| indicative | The standard verb mood used for statements of fact and questions, as opposed to the subjunctive or imperative. |
| informal | |
| latinate | Words derived from Latin, often formal or academic in register (e.g. 'illuminate' vs 'light up'). |
| object | The noun or pronoun in a sentence that receives the action of the verb. |
| organise | |
| pace | |
| passive construction | A sentence built using the passive voice: subject + auxiliary 'be' + past participle. |
| passive voice | A sentence construction where the subject receives the action: 'The cake was eaten' rather than 'She ate the cake'. |
| performance | Presenting a text, poem, or drama to an audience using voice, expression, and movement. |
| personal | Relating to an individual's own experiences, views, or feelings. |
| persuasion | The act of convincing someone through language, using techniques like rhetorical questions, emotive language, and evidence. |
| presentation | |
| public speaking | The skill of delivering speeches or presentations to an audience with clarity, confidence, and appropriate register. |
| purpose | |
| question tag | A short question added to the end of a statement to invite agreement or confirmation (e.g. 'isn't it?', 'don't you?'). |
| register | |
| report | A text type that presents factual information about a topic in an organised, objective way. |
| spoken | |
| standard english | |
| structure | |
| subject | The noun or pronoun that performs the action of the verb in a sentence. |
| subjunctive | A verb form used for hypothetical, wished-for, or demanded situations (e.g. 'If I were...', 'I suggest he go...'). |
| synonym | |
| tone | |
| vocabulary choice | The deliberate selection of words for their precise meaning, connotation, and effect. |
| volume | |
| written | |
| objective | |
| subjective | |
| rhetoric | |
| cohesion |
Prior knowledge (retrieval plan)
Pupils should already know the following from earlier units:
| Prior knowledge needed | For concept | Description |
| Relative clauses | Formal versus informal vocabulary | A relative clause is a subordinate clause introduced by a relative pronoun (who, which, where, wh... |
| Modal verbs | Formal and informal structures including subjunctive forms | Modal verbs (might, should, will, must, can, could, would, may, shall, ought to) express degrees ... |
| Passive voice | Active and passive voice (advanced application) | The passive voice occurs when the grammatical subject of a verb receives the action rather than p... |
| Perfect verb forms | Active and passive voice (advanced application) | The perfect aspect marks a relationship of time and cause between actions: the present perfect (h... |
Assessment alignment (KS2)
KS2 test framework content domain codes assessed by this study:
| Code | Description | Assesses concept |
| CDC-KS2-GPS-G4_3 | Subjunctive verb forms – recognising subjunctive forms | Formal and informal structures including subjunctive forms |
| CDC-KS2-GPS-G4_4 | Passive and active – use of the passive to affect the presentation of information in a sentence | Active and passive voice (advanced application) |
| CDC-KS2-GPS-G7_2 | Formal and informal vocabulary – the difference between informal speech and formal writing (e.g. ask for / request) | Formal versus informal vocabulary |
| CDC-KS2-GPS-G7_3 | Formal and informal structures – the difference between structures typical of informal speech and formal speech and writing | Formal and informal structures including subjunctive forms |
| CDC-KS2-GPS-G7_4 | The subjunctive – vocabulary and structures appropriate for formal speech and writing, including subjunctive forms | Formal and informal structures including subjunctive forms |
Scaffolding and inclusion (Y6)
| Guideline | Detail |
| Reading level | Proficient Reader (Lexile 600–800) |
| Text-to-speech | Available |
| Max sentence length | 25 words |
| Vocabulary | Academic vocabulary expected without scaffolding. Literary vocabulary (connotation, imagery, personification) established. Etymology useful for unfamiliar vocabulary. |
| Scaffolding level | Light |
| Hint tiers | 4 tiers |
| Session length | 25–40 minutes |
| Worked examples | Required — Student-completed faded examples. Text-based. Example solutions shown for comparison after independent attempt. |
| Feedback tone | Intellectual Peer |
| Normalize struggle | Yes |
| Example correct feedback | Your rhythmic analysis correctly identified the iambic pattern in lines 2 and 4, and you rightly noted the disruption in line 3. The question is: why might Shakespeare have broken the metre there? |
| Example error feedback | There is a problem with that interpretation: you suggested the character is happy at the end, but the meter becomes irregular in the final couplet — what might that irregularity signal about their emotional state? |
Knowledge organiser
Key terms:Graph context
Node type:EnglishUnit | Study ID: EU-EN-Y6-002
Concept IDs:
EN-Y6-C025: Non-narrative writing: explanation, report, persuasion and discussion (primary)EN-Y6-C001: Formal versus informal vocabularyEN-Y6-C003: Formal and informal structures including subjunctive formsEN-Y6-C010: Active and passive voice (advanced application)EN-Y6-C014: Register control in reading and writingEN-Y6-C045: Presentation, performance and formal public speaking``cypher
MATCH (ts:EnglishUnit {unit_id: 'EU-EN-Y6-002'})
-[:DELIVERS_VIA]->(c:Concept)
-[:HAS_DIFFICULTY_LEVEL]->(dl)
RETURN c.name, dl.label, dl.description
``
Generated from the UK Curriculum Knowledge Graph — zero LLM generation.